Building on Bryan’s feedback,I expanded the investigation by getting more conjunction blocks milled and crafting them into a sculptural piece. By piling and gluing these blocks together, I created an artwork that reflects a deeper commentary on the impact of industrialisation. The Devanagari characters, assembled in a precarious, falling-like arrangement, visually capture how the complexity of conjunctions couldn’t be accommodated by mechanical printers during industrialisation. In this struggle for modernisation, these intricate elements were left behind, embodying a narrative of loss and neglect.
I chose to leave the blocks unpainted, retaining their raw, weathered appearance. The untreated wood preserves the authenticity and heritage of the script, highlighting the worn, timeworn impressions they carry. The decision to keep them in their natural state reinforces the idea that these characters, despite being sidelined by progress, still possess an enduring presence. They remain as relics, echoing the layers of history and the cultural depth embedded within the script, all while retaining the rawness that speaks to their original purpose and craftsmanship.
I got the piece photographed at the photo studio in Woodlane campus with the help of Fiona. She has been an incredible help in getting my artefacts photographed.
Have a look at some amazing shots she clicked.
We also worked on a stop motion animation.
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